2007 Entrance Portfolio

red-eyed tree frog (adjusted) Eight items from my 2007 entrance portfolio for Interior Design.

I love the vibrant colours of this tree frog, and the contrast between the smooth watercolours and the texture of the block-printing that forms the background and main lines. I like carving linocuts better than I like drawings, since if I get the block right I can experiment with different colours and papers for little extra work…especially with water-based ink. This print is oil-based ink, thanks to the watercolours, which was very messy to work with. It turns out that baby oil is a better clean-up liquid for it than turpentine.

national gallery garden view (adjusted)This charcoal drawing shows a view through multiple spaces, and is based on my photograph of a garden in the National Gallery. At the time I had no training in perspective drawing, and no experience with charcoal, so you can imagine how much trial and error went into it. I began by drawing an outline of the scene, without tracing the photo, and used a light table to do the toned version on a separate sheet, because I knew it would take me more than one try to get it right. Continue reading

Inverse Peekaboo Bug Test

Treehouse Model: view from ground Whoever it was that said “it takes twice as long as you think it will” was an optimist. Sometimes it takes three times — as this project did. The silver lining for you is that it taught me how not to manage my time, and how to recognize when I need advice in order to stop banging my head on the wall.

We were asked to design, draw and model a 650 sq. ft. house for two people anywhere in the world but North America. Outdoor spaces were encouraged since they didn’t count towards our square footage, but no major functions could be left outdoors. I asked my friend Allison if she and her husband Paul would be my clients, and we promptly had a brainstorming session over tea. She wanted the house to be on New Zealand’s North Island, but didn’t have a specific town in mind. I located it in the Coromandel Peninsula, between Tararu and Whakatete Bay. Allison is a witch, Paul is a shaman and energy healer, and they are both tall, so they both wanted the house to be in harmony with nature, have high ceilings, and have quiet space to meditate in. There were many other desiderata, but these were the most important. Continue reading