In our art history course focused on furniture, we each did a presentation on a particular style or maker. I chose Charles Rennie Mackintosh because I had often heard of him but never learned much about his work.
We’d had a number of these presentations by the time I started work on mine, so I knew that I ought to spend minimal time on biographical details and focus instead on the themes in his work. I looked at huge quantities of photos, with a few sentences from the textbook to point me in the right direction, and from that developed an understanding of how Mackintosh’s furniture was filled with contrasts — light and dark, feminine and masculine, straight and curved — and how spare and Japanese it was by contrast with Victorian style.



































































Lilivoltaiq, or Nature as Structure
FieldsSustainable
Skillsgraphic design, model-making
DateApril 15, 2008